The Everything Bundle is our most powerful toolset. The SliceX / TrackX / DriveX bundle gives you three powerful tools for using Academy Award winning mocha tracking directly on the timeline in FCP X. Also included is our blazingly fast Lock and Load stabilizer, LUTx with Feature Looks Collection and our V2 Plugin set with over 220 plugins.
"Chromatic gives me a whole new level of control.... It's fast, simple and most of all, accurate." Che Baker, Director, Blue World Order
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SliceX lets you create instant tracked Shape Masks to cut out layers or isolate effects. SliceX includes eleven motion templates for common tasks and you can also use the Shape Masks with built in effects, the built in color corrector or with third party plugins. SliceX powered by mocha takes the pain out of following complex motion, just draw a shape and hit track. You can then adjust with manual keyframes as needed.
Now you can harness the full power of Mocha tracking with complex 3D effects and particles. CoreMelt DriveX allows advanced users to link any parameters inside an Apple Motion Template to track data, and publish the result as an FCP X effect. DriveX includes Twenty motion templates to get you started with many more coming soon.
Lock & Load is the fastest and most robust stabilizer for FCP X. Lock & Load is more than 3x faster than the built in stabilizer in FCP X and includes specific rolling shutter camera presets for modern 4K cameras.
LUTx is the most powerful LUT solution for Final Cut Pro X. Includes 40 Feature Looks and Camera LUTs for popular cameras, plus custom LUT browser and advanced mix controls.
Chromatic is the most comprehensive grading solution for FCP X. RGB and HSL Curves, Integrated tracked masks, powerful selective color grading and much more.
V2 Plugin Set is a collection of over 200 plugins, glows, blurs, glitch and grunge effects, transitions and more.
* Please note only Everything bundle sold after 1/7/17 includes Chromatic grading tool
- FCP X Only
"This bundle saves my skin in some way almost daily"
Darren Rourke, Hollywood Editor